Showing posts with label Unit 9 - Masters of Baroque. Show all posts
Showing posts with label Unit 9 - Masters of Baroque. Show all posts

Tuesday, 8 June 2010

Project 9 - Select catalouge of prints

I'm really very unsure about what I should be doing for this project as can't find any information about what a catologue of prints would have inclulded. I have spent about an hour looking through my text book and searching the internet for ideas about how to tackle this and still none the wiser. Think I will talk to a couple of friends who have done art history in the past to see what they think and in the meantime jot down my ideas - maybe they're ok after all....

 
Devotional Prints

 
Suitable subjects would include
  • The Crucifixition - examples - The Raising of the Cross, The Three Crosses
  • Eden - Texamples - The Expulsion from Eden, The Fall of Man
  • Lives of the Saints - Joseph telling his Dream, The Stoning of St Stephen
  • Miracles - St Francis Xavier, Christ healing the Sick
Narrative and Allegorical Prints

Suitable subjects would include
  • Depictions of the Greek Gods - e.g Venus, Bacchus, Prometheus
(I get stuck knowing which stories come from the bible and which are allegorical as my knowledge of the bible is pretty poor)

Portraits

To flatter the sitter dress them in fashionable, expensive clothes.  Light them well so they look at their best.  Include objects to symbolise their position or wealth. 

Thursday, 3 June 2010

Unit 9 - reading and DVD

This chapter and episode concentrated on the non-Italian 17 century painters.  The majority were Dutch as Holland had just become very rich and important at that time. 

Art market increased massively and painters started to produce speculative works rather than purely commissions.  Demand was for non-religious subjects and smaller easel paintings as protestant churches didn't have art in them and no aristocracy so buyers were from upper and middle classes.   An English traveler of the time noted that butchers, bakers, cobblers and blacksmiths had paintings hung in their shops, workshops and stalls - the whole country loved paintings.  Lots of landscapes, seascapes, portraits, low-life scenes, still life etc. 

Some painters may have been v famous at points but popularity declined.  Book says "In the competitive Dutch art world a premium was set on individuality and also on novelty with the result that painters' reputations swiftly rose and declined." Page 592

Development of Graphic Processes - Etching and drypoint processes were developed by Rubens and others to point where artists could check and change their work as they went along.  Once a plate had had the quantity of prints from it that it could cope with (differed according to technique e.g dry point only 10 excellent prints, etching maybe 50 excellent and 200 good) The artist could then take the plate and rework, touching up areas and even making changes to the composition.  Other artists may even work on the plates too.  These prints were much collected but prob as portfolio pieces rather than to go on the wall.


Landscapes - Just as landscapes to look at NOT background for mythological/religious scene, NOT scenes for stories to show rural life, NOT classical, NO narrative meaning or content at all.  Regarded mainly as decorations for the home but some religious meaning as nature linked to godliness and the bible.  Although based on real places often used artistic license to create the scenes.  e.g enlarging things, blending places together, leaving things out. 

Still Life - paintings of objects for the sake of it without necessarily too much symbolic meaning behind choices of subject matter.  Examples include fruit and flowers, fish, vases, porcelain bowls etc etc

Genre - scenes of everyday indoor life referred to as genre paintings.  Just of stuff going on.  But sometimes moral - often to do with sexual transgression, seduction. 

England - Mostly bought Dutch art, some Dutch artists settled in England to work.  Architecturally St Paul's and the 51 parish churches rebuilt after great fire of London were designed by Christopher Wren in a classical style.  Book says that St Paul's "Is imposing but not overpowering, it strikes a middle path between Classical Puritanism and Baroque exuberance."

Artists of the time (more detail given on artists post)
  •  Reubens
  • Rembrandt
  • Van Dyck
  • Vermeer
  • Velazquez
  • Hals
  • Jan Van Goyen
  • Rachel Ruysch
  • Judith Leyster

Wednesday, 2 June 2010

To do list - by June 11th - Unit 9

  • Watch DVD - episode 10 - Masters of Baroque
  • Read - rest of Chapter 13 - non Italian sections
  • Look at relevant pages in Visual Art book
  • Annotation - narrative or allegorical themed painting
  • Collect images - 3 major artists, 3 lesser known
  • Project 9 - Select catalogue for print subjects
  • Keep this blog updated
  • Keep arty blog updated