Showing posts with label Unit 2 - Greek Art. Show all posts
Showing posts with label Unit 2 - Greek Art. Show all posts

Sunday, 28 March 2010

Visit to Surrey House - Norwich

When planning my first visit of the course I wanted to try to stay as local as possible.  This was due to time constraints and also the feeling that we very often overlook the amazing architecture that we see everyday around us.  Having viewed the DVD and read a little about Classical Greek architecture I have been overwhelmed by how much of these influences are reflected in the buildings around me.  I decided on Surrey House for my visit as when I started to research possiblities I kept coming across information on this building and was intrigued.  I had walked past it before but never looked closely and wasn't even aware of the elaborate interior.

Building work on Surrey House commenced in 1900 and continued through to 1912.  The building is still being used for its orignial purpose today as headquarters of the Norwich Union insurance company (now Aviva).  Local architect George Skipper was comissioned to design the building and he created a functional office space with various Greek and masonic symbols.  These were due to the influence of a descendant of the Union's original founder who was a classically educated prominent Mason.  The design uses themes of insurance, protection and wellbeing to show customers the strength and prosperiety of the company.  (Surrey House - the magnificent heart of Aviva - in house publication)

I'd done some research on the origins of the building online, then on Friday (26th March), I had an unexpected free afternoon so off I went with camera and sketchbook. 

I started by examining the exterior.  The building is certainly grand.  Six symetrically placed corinthiun columns are placed above ground level on the front of the main frontage to the bulding.  The frieze above the columns reads "NORWICH UNION LIFE INSURANCE SOCIETY" (Let's hope Aviva don't decide to change this part of the building!)  Above the frieze is a Greek temple style pediment with cornices and dentil.  The windows are placed to give the building an overall feeling of balance and have columns around the 1st floor and roman styled arches on the ground floor.  Everything about the building is balanced.  Note the insignia on either side of the main columns and the balustrades which appear again along the side walls and at the front to the courtyard. 

Very much part of the building but at street level are two life size statues depicting prominent figures in Norwich Union's history. These would be used to remind customers of the importance of the society and it's founders. The patterned border above the statues appears classically Greek and is repeated on the main building.





On going into the building you go through an entrance hall before walking into the overwhelming opulance of the main hall.  These are decorated to complement each other and the transition from one to the other is hardly noticable.  Now housing a large reception desk and a few sofas, this hall was orignally used as the main place of business, full of desks for the society's tellers and where customers would come to pay their premiums.  What could fill you full of confidence in your insurance company more than a room completely made from marble?  The guide book tells me that there are 15 different types of marble used in the building.  Skipper convinced the society to purchase this at a bargain price as it had been brought to England to be used in Westminster Abbey but arrived too late.  It is difficult to take everything in and I spent a long time sketching and taking photos.  Everywhere you look is decorated, the patterns on the floor, walls and ceiling are geometrical with sculptures and reliefs of fruit and flowers, alongside coats of arms of London, Dublin, Glasgow and Norwich - to emphasise the importance of the city of Norwich in the British Isles.  The symbols of the Life Society's orignal coat of arms are also present - "a winged hourglass representing the swift flight of time" - this would remind people to purchase life insurance to provide after their deaths.  "The serpent and dove for wisdom and purity" customers are subtly being shown that the society is dependable, trustable and wise.  "...and the clasped hands for friendliness" - above all your insurance seller is your friend! (Surrey House - the magnificent heart of Aviva - in house publication)  The ceiling is domed in a Roman style and hanging down is the amazing air conditioning/heating system designed by Skipper.  He was adamant that there should not be radiators to mess up the lines of his building (an advantage of building in this style at a later date he could forsee this!)  A pendant hangs over a "fountain" and the design means that cool air is wafted through the hall (total change of fresh air every 20 minutes!) in the summer and with heat coming up from underneath in the colder months an opposite effect of warm air being placed in the hall.  I asked a member of staff if this is still working and it is to this day and they say that it really does keep cool in summer and warm in winter.

I was fortunate on my visit to have a security man ask if I would like to take a look upstairs, not usually open to visitors.  This meant I got to go up the marble staircase and look down on the main hall - an incredible view.  On the way up the stairs hang a series of portraits of directors through the ages. 

I also was able to view the Board Room.  "A diversity of rich colours, styles and textures" The ceiling is painted with scenes from Greek Mythology alongside yet more reminders of the passing of time and the influence of fate (buy that insurance now!) 



I was then taken to scramble through a window on to a roof terrace and the security man talked me through the additions to the building as the company has grown.  A new wing has been added in each of the decades from the 60s to the 80s.  This left a patch of garden at the back which had become derelict.  The atrium was opened in 2006 - this joins the 4 different builidings and provides a large and light space for employees to eat and hlod informal meetings. 



Overall feelings on the design of the building

I think that Surrey House is undeniable an amazing building and will be urging friends and family to visit and see for themselves.  However, personally although there are elements that I really like overall I find it too much.  I find the front agreeable and an impressive and beautiful building.  Internally I think there is too much of a mix match of styles and that it is a bit over the top.  I think for it have been built as an office and still to be in use as such today is wonderful and that it must have been very exciting for the Edwardian residents of Norwich to have such a new building as their insurance headquarters.  I hope that it stays with Aviva for many years to come as an important piece of architectural and economical history. 

Links to websites with information on Surrey House






Monday, 22 March 2010

TO DO LIST - by March 28th

March 2010

I've got myself 5 sheets of paper and written all the projects, visits, anotations, postcards to collect and what is needed for each assignment - there is a huge amount to be done and this doesn't include the DVDs, text book and additional reading!!!  These are all pinned up in my cupboard to act as a reminder and also so I cross stuff off and see the course being completed. 

For the moment I need to break down my to do list weekly so it isn't quite so daunting...  I plan to keep updating this post/these posts regularly and crossing things off as I go. 

TO DO BY 28/03/2010
  • Annotation - vase, write down thoughts then find out more about it from books
  • Postcards - check if I've any suitable then research where to get them and buy more.  Going to follow advice on OCA forum and print out images from net as well as collecting postcards.  I'll collect where I can but the research into buying them looked like it was going to be difficult and expensive - Commons wiki site has loads of photographed images to use with details on copyright
  • Blog - update with lists! and notes on recent exhibition visits
  • Learning log - phone OCA to find out if OK to do purely online learning log for assessment - think I've covered this by checking out other peoples and checking in booklets - REMEMBER TO CITE SOURCES OF PHOTOS/IMAGES - AM CONCERNED ABOUT COPYRIGHT
  • Additional reading - skim through John Boardman - Greek Art (renew so available for rest of unit)
  • Additional reading - read introduction to Art - The Definitive Visual Guide - lots of notes on composition, media etc
  • Addtional reading - check Art - DVG - read anything on Greek Art that is included
  • Additional reading - revisit Gombrich chapter on Greeks
  • EMAILED AWAITING REPLY Talk to Keith - where should I visit?  Was thinking Surrey House but can he recommend somewhere better?

Thursday, 18 March 2010

Unit 2 - DVD - The Classical Tradition. Chapter 4 - The Legacy of Greece

I watched my first DVD and read my first (massive) chapter of the text book this week. 

I have made quite extensive notes and don't intend to put them all on here as well.  So I'm not even going to go back through my text book but just pop down the some of the stuff I remember most....

  • The ancient Greeks hugely influenced Western arts and culture. 
  • Statues, sculptures etc would have been brightly coloured and ornate.  With silver, gold and jewels not the plain white that we tend to think of
  • Lots of statues are Roman or later copies.  Most painting we only know about from descriptions.  Some vase painting remains.  Can see architectural remains e.g. The Parthenon. 
  • The Elgin marbles are from the Parthenon and are NOT gigantic spherical 'marbles' as some people (!) may have previously thought!

Archaic - 7th to 5th century
Classical - 5th century onwards

Kouroi - idealised male youth.  Stiff and always same stance and emphais on muscular frame - always nude
Kouros - female idealised - always clothed

Idealisation to naturalisation and realism - basis of Western art

Foreshortening - realistic rather than stylised

See image for evolution of realism.

 Vase paintings - black figure or red figure 








Architectural styles
Doric - Simplest style - plain fatter columns, unadorned capital, no base, embelishments tend to be in addition to the structure.  Used as outer of building.  Placed according to rule of eye, illusion of symmetry rather than actual 
Ionic - thinner columns, base and carved capital.  Embelishments used within structure, carving and statures throughout.  Buildings designed to be viewed from front 
Corinthian - Much more adornment to capital, flat roofy bits.  Used inside buildings rather than as outer structure



Questions to ask
  • What did they look like originally?
  • What colours and adornments would have been used?
  • Who made it?
  • Why was it made?hat was the orignal setting?
  • What was the orignial function?
  • What was in the mind of the artist?
  • What was the impact on society?